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"In actuality, there were plenty of black dresses before that date, including many by Chanel herself, and black was already a fashionable colour but there's something about this moment and the way it embodies the modernising spirit of the 1920s." That moment is how the new show begins the largest fashion exhibition the National Museum of Scotland has ever staged - a simple crepe de chine dress made by Chanel in 1926, borrowed from the Kunstgewerbemuseum in Berlin
The Accents: Minimal, especially around machinery
Steel or synthetic stays run vertically through the bodice to prevent fabric from collapsing downward
Architecture firms tilt toward black year-round a black linen suit reads correct in July, where a black wool suit would not
The no-fail
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