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For “tools” there are reed stems and fallen leaves or seed heads
This piece is one of a small group of four that I made
For these works I created a surface on the pastel paper with site specific pigments beside the reed beds of Black grass or Black reeds using their fallen leaves to “print” on the surface of the paper
This view is enjoyed by many walkers as the Sharpham estate built some lovely seats
Original size: 420mm x 290mm
Quince December For “tools” there are reedThe painting of this charming fruit after so many charcoal and ink drawing of quinces was invigorating. It was fun to layer up the colours and feel the emerging shape, almost like a women in Reubens painting it seemed to me. Or perhaps the rotund figures of the legal profession depicted by Daumier? The process of a dialogue with these quinces was such fun. The materials used, the snap of charcoal on fine paper, sending a black dust into the pores of
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